Reprinted and Original Haiku

Reprinted and Original Haiku

by Stewart C Baker

b’ak’tun
the end of the world
resets itself


Originally appeared in Heron’s Nest

a moment of peace…
her children’s distant
shouting


Originally appeared in Close to the Wind (HNA 2013 anthology)

 
sudden summer
a day spent arguing
with windmills


Unpublished

fireworks…
flashing from the roadside
the dead dog’s eyes


Originally appeared in Under the Basho

sidewalk café
the distant drone
of war-time


Unpublished

stitch in a stich
she sews his soul together
with a song


Unpublished


 


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Published fiction: “An Endless Vibrato” in Specklit

Another 100-word story of mine is out today, this one in Specklit, a market which publishes only 100-word stories.

This one is about Mars and not being able to let go.

Here’s a teaser:

The long, slow, Mars-bound transit is steel corridors and dim lights, unwashed bodies and grim, silent faces. It is hope, desperation, and apathy all packed in together.

Specklit is free to read, so head on over now if you want to read the rest: “An Endless Vibrato,” by Stewart C Baker

Published Tanka: Bamboo Hut

I have three tanka in the May issue of Bamboo Hut, an online tanka magazine. I’m not entirely sure when it went live, and don’t think I ever received an acceptance e-mail, but they are nonetheless there.

Like MoonGarlic, the haiku journal I mentioned last week, this one uses Camaléo, which is kind of weird. Hit the “full screen” button to make the embedded widget a usable size.

Review: Shimmer 19

(Link to Shimmer, issue 19)

Shimmer is one of those magazines I love, and would love to be published in. The rhythm and the feel of any given story’s prose are just as important as the action, the plot, the characters. (Which is not to say they are MORE important. Just AS important.)

On the one hand, that requires a little readjustment of your internal readingometer—you can’t treat the ‘zine like most short story markets, expecting it to give you gratification up front and centre, expecting each story to start with a clear statement of motive, move through a sequence of try-fail cylces, and end up with the protagonist riding off into the metaphorical sunset, the prize grasped firmly in hand.

On the other hand . . . I’m not entirely sure that what I just said is actually a negative.

Because it doesn’t rely on what we’ve come to expect when it comes to speculative short stories, Shimmer regularly delights. It moves you into a different head-space, one where the world is not what we’ve come to expect. One where it’s dark, mythical, and more than a little unsettling. Each of the stories it contains does something to you that keeps your eyes locked in place, your chest tight. Each of them stays with you when you’re finished to some degree or another, and will make you look up, blinking, at the world outside your head. Each of them makes you look anew at things you thought you already understood, wondering.

And this is good. This is what story should do, what fiction should make us feel.

Issue 19 is also the start of a new publishing model for the ‘zine. No longer must you scrape together the remains of a month’s tightly-stretched paycheck to feast upon these gloriously dark stories. No longer must you ask yourself: Another loaf of bread or Shimmer? Starting with this issue, the wonderful shimmery folk who run the place have decided to take pity upon us poor wage-slaves and release their issues for free online as well as selling them in an e-book for those who can afford it. As a librarian and open access proponent, as well as as an author, this hits me in my happy places.

A few weeks back, Shimmer also ran a little Twitter contest, giving away three free subscriptions to the e-book version of the magazine based on the use of a hash tag, #newshimmer. I was fortunate enough to be one of the winners, which means I’ve already read the whole issue.

If you’re pressed for time or don’t like possible spoilers, this is where you’ll want to stop reading this review, and go buy the magazine or—at a minimum—read whichever stories are currently online.

I suggest buying the magazine if you can, because why wait? You’ll also have the benefit of supporting Shimmer’s new model, of letting their staff and those of other magazines know that you support free-to-read fiction publishing, that it’s sustainable, and that it doesn’t kill all your income. But, more importantly for you right now, you’ll get to read all the stories right away. Here’s that link again, if you missed it: Link to Shimmer, issue 19


So, if you’re going to stick around, on to the stories.

“The Earth and Everything Under” by K.M. Ferebee

As of the time of this posting, only the first story in the issue, “The Earth and Everything Under” by K.M. Ferebee, is available as free content on the Shimmer website. When I first opened my e-book copy, I read about half of this before moving on to the other stories in the issue. The pace seemed to lag, I got a little tired of the length and frequency of the letters inserted into the third-person narrative, I kept wanting something decisive to happen. On reflection, though, that seems like less of a problem with the story, and more of a problem with what I’ve been reading lately.

Revenant pseudo-birds, witches, and letters from beyond the grave notwithstanding, this is what might be called a quiet story, so don’t go in expecting fireworks and you’ll be fine. Personally I might have liked a little less of the letters, but I did like the protagonist, and the overall setting of the story, as well as where it ended up. This felt like the most lyrical story of the batch, as well, with the letters reading something like poems from the afterlife, and with plenty of gorgeous description in the narrative itself.

“Methods of Divination” by Tara Isabella Burton

A diviner who doesn’t believe in divination meets her match in a client whose romantic break-up with the woman he loved and lost is almost identical to her own past experience with an ex-lover. The opening few paragraphs of this one confused the dickens out of me (Who’s “he”? Who’s “I”? What are they talking about and where?!), but once I got past that minor bump I enjoyed this story thoroughly.

I could tell where this one was going pretty early on so far as character development and plot, but getting there was still a delight. The narrator, a knowingly cynical charlatan who “explains” visions and so-called signs to her eager clients, has a compelling voice and just the right touch of pathos about her to be sympathetic without being melodramatic. A bittersweet ending which fit just right made for a satisfying close to the piece, too.

“Jane” by Margaret Dunlap

This was a fun read, and probably the easiest transition for me going from non-Shimmer to Shimmer reading. It’s got enough of the style and tone of a shimmery story, but it’s also about the zombie apocalypse and all the violence and action that entails.

Er… Sort of, anyway. I would say it’s more a story about human beings that just happens to take place in the midst of a zombie apocalypse. The zombies themselves activate the plot, and keep it moving, but ultimately it’s about connections (missed and otherwise) and the stories we tell ourselves about our selves, so to speak. (I myself have written several zombie-stories-that-are-not-really-zombie-stories, and sold one recently to Freeze Frame Fiction, so obviously I’m comfortable with the idea of them.)

This was probably my favourite story on first read, and it got me in the proper sort of mood to read the rest of the issue, where the stories were a little slower, and more shimmery.

“List of Items Found in Valise on Welby Crescent” by Rachel Acks

This is the most experimental of the stories in this issue, and is something like a mystery for the reader, who must figure out what happened entirely through an examination of the contents of a valise found in the woods. It’s a non-traditional narrative through and through, and the reader has to work to put the story together. I found this an interesting piece, and some of the images stuck with me, but overall I didn’t feel quite as much as affected by it as I did the other stories.

I think one thing which throws me about it is that it’s an odd mix of what I might call a Victorian feel (the circus, called “Dr. Birrenbaum’s Stupendous Sideshow,” has a bird woman who may or may not be real) with modern-day stuff (a Blackberry phone, a used condom wrapper). There were also a number of items in the briefcase which seemed superfluous to the story at the heart of the mystery (why does it matter that there were 3 chapsticks? 5 ballpoint pens as well as a fountain pen?) but I’m willing to allow that this may just be lazy reading or a lack of proper thought on my part.

Anyway, an interesting piece and well-written enough, but not my personal favourite. (Oddly, because I usually quite enjoy non-traditional narratives.)


 


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Reprint: Raising Words

Raising Words

by Stewart C Baker

After we entombed my father, he transformed into a giant bird of the purest white and burst forth from the earth all holy and clean.

My mother and her co-wives, my sisters, my cousins—all followed as he soared, majestic and terrible and filled with beauty, away to the East and the sea.

I alone of the women in that place stood watching. The rest ran through plain and brush, pushing past the sharp bamboo which must have cut their feet like swords; they ran through wave and spray, unmindful of the cold wetness which wrapped their robes about them like black ocean weeds. As they ran, they sang, their high-pitched, nasal voices rising in rhythmic bursts of ritual lament to the kami my father had become.

I alone sang no songs. I alone remembered.

#

When I was very young, I used to beg my father to take me hunting. Though even then he was stern, he would always relent, the sun glinting through his jet black hair as he grinned our secret grin and set me in the bough of the sky-reaching black oak at the forest’s edge.

I loved the burst of activity as courtiers swarmed around readying horses and bows, the shouts ringing out in the crispness of the early spring air. But I loved more the way my father sat, perfectly still, astride his own horse. His own bow held loosely in his lap, he would chant the ritual blessing slowly, and with god-like calm.

I used to sit in the oak for hours and listen to the distant thrumming of bowstrings, reveling in the idea that all things were connected. In the idea that my father connected them.

#

When he slayed the warlords of the Kumaso tribe, my father received a new name. Yamato Takeru, they called him as they died. Yamato Brave.

When he returned, he had changed.

He no longer hunted, no longer held his bow. Instead, he practiced swordsmanship. He stood waist-deep in the Kino river, drawing and slicing and drawing and thrusting over and over and over again with a sword we learned he had received from his aunt, the high priestess at Ise.

He did not come to my mother or her co-wives a single time before leaving again at the Emperor’s orders to pacify the peoples of the East.

A part of him, I thought, a part of my past, was dead and gone forever. My mother cried for days, and I was filled with unease at a world unstrung.

#

We heard tales of his further exploits, this Yamato Takeru who had been my father. He smashed savages, argued with kami and gods, and struck them all down to the dead land of Yomi if they did not submit.

My mother and her co-wives received reports daily, tracking his progress with a mix of hope and trepidation.

From the boughs of the oak where I sat, alone once again, I could find no trace of former times.

#

“You will marry the Emperor’s first grandson, and raise my chance of ruling.”

Those were my father’s first words to me when he returned.

“My cousin.” I stated it flat and unflinching, ignoring my mother’s gasp.

“Yes,” my father said. “The throne’s heir.”

“And if I will not?”

My father laughed, a sound sudden and sharp, like an arrow striking wood. “You would raise words at me, girl? I have killed kami, and burned to the ground whole tribes of stinking rebels. I have subjugated the rivers, and the seas, and bent the messengers of gods to serve my own will. If you refuse, I have other daughters. Any of them can easily become my eldest.”

I set my teeth and raised my chin. “As you say, my lord father.” Keeping my words to myself.

#

But that night, I went once more to the forest.

I did not stop, as I usually did, at the foot of the oak, but walked further than I ever had before, into the untouched wilderness of the deep forest. I walked until the canopy closed overhead, then opened again to reveal the eternal patterns of the heavenly river. The air was rich with the smell of humus and rot.

I came to a mist-wreathed spring, and there I stopped, amidst the dim shapes of pines and rocks and the silent glow of distant stars reflected on its surface.

A white boar as big as a warhorse rose from the waters, its eyes unfocused and its movements calm and measured. Its form shifted as it walked, lopsided bulges of life forming on its body and sluicing away into the air with each step.

A kami. Its snout close enough that I could feel its breath on my skin, even and deep, it spoke.

woman-child, it said. what do you seek

The words echoed in my skull with the sound and thunder of trees falling. I did not reply. I did not dare.

woman-child do you seek justice

“No, I–“

woman-child do you seek vengeance

“No, I–“

do you seek . . . It paused, jaws opening slightly. death

“My father died already. What I seek is–“

your father’s death? it will come again if that is what you seek

My breath sat like a stone in my stomach; my throat burned like fire.

“Beast-god,” I rasped, “I order you stop! I, I wanted … “

leave this place woman-child, the kami said, or what you say you do not seek will come to you

Then it turned back towards the spring and, as it did so, slowly melted upwards into mist.

#

I walked through the forest for long enough to count a lifetime. I lived off mushrooms and berries, drinking from pellucid streams whose water chilled my throat and aching belly.

When at last I found my way back to the Yamato I knew, I was told that a half-moon had passed. My mother ran to me, her hair in disarray and her robes disordered, her eyes puffy and red.

“Thank the white plain of heaven,” she half-sobbed, collapsing against me. “I thought we had lost you too.”

So it was that I learned my father had been stricken dead at mount Ibuki by a massive white kami in the shape of a boar, while I wandered lost in the forest.

#

As my father’s kami vanishes towards the sea, and the wailing of my mother and her co-wives fades from hearing, I step from the shadow of my father’s new-built tomb, face his empty grave, and speak. Raising words one final time.

“I will remember you as you were,” I say, “and not as you became. Daily will I erase your divinity, ever chronicling your early, mortal life until your godly wrath is naught but legend.

“I will tell all who listen of order and calm.”

Then I turn. I do not look back at the fields and the cliffs and the mountains and the oceans of my homeland. I turn, and face the sun, and I leave that barren place in search of fertile ground.


This story first appeared in Penumbra eZine in the July 2013 issue, which was themed around Japanese mythology. You can purchase a copy at the Penumbra website.


 


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Published Story Alert! “After the Ascension” in Plasma Frequency

My 100-word story, “After the Ascension,” is in the April/May issue of Plasma Frequency magazine.

In lieu of a summary, here’s a very brief teaser:

When they turned off the gravity, everything went to hell.

The first few days, people kept trying to disprove reality—pulling themselves off ceilings, clambering out of windows, catapulting up into the air until their screams faded into nothing.

You can purchase a copy of the issue from the Plasma Frequency website in print or as an ebook, if you’re so enclined.