End of year review – published fiction (+ awards eligibility)

It’s the end of December, and that means it’s time for a review of what I’ve had published in 2016!

If you’re reading for award-nominating purposes, all but one of these are eligible for the Hugo and Nebula short story categories, with one that’s only Hugo-eligible this year. Please do let me know if you need a reading copy of anything that’s behind a paywall.

Although I like everything I’ve published this year, I’ll mention my personal favourites first. After that, stories are listed in the order they appeared.

I hope you enjoy reading!

Personal Favourites

  • “How I Became Coruscating Queen of All the Realms, Pierced the Obsidian Night, Destroyed a Legendary Sword, and Saved My Heart’s True Love”
    by Baker & Dovey (Hugo-eligible)

    This story, co-written with my occasional consciousness-sharing friend Matt Dovey follows the misadventures of Essandra, the smart-ass wielder of the legendary/cursed sword Hrrnngnngrrrndr (the Sword of a Hundred Thousand Agonies, several of which probably involve spelling the damn thing) particular affection for typical gender roles and a significant amount of affection for untold riches, as she tries to defeat the Mad Wizard-King and make of with his treasure—all while fending off the unasked-for romantic overtures of fellow adventurers Korgar the Jhunken Barbarian (of the bulging muscles) and Elutriel the priest (of the silken skin and alluring hair). Will she finally find true love (and grab lots of loot?), and what the hell’s the deal with Hrrnngnngrrrndr?

    This story is in Alliteration Ink’s No Shit, There I Was anthology edited by Alex Acks, which is out sometime in the near future. However, since it’s already been released to the 500 or so Kickstarter backers, it’s already Hugo-eligible. If you’re reading for awards, send me an e-mail and I’d be happy to provide you with a copy of the story or an e-ARC of the anthology (sans art). Note that it’s not Nebula-eligible until it actually releases more widely. You can read the first hundred or so words at Baker & Dovey’s website and, again, I’m happy to provide an e-ARC. The story will also be available in audio from PodCastle whenever the anthology releases.

  • “Just Another Night at the Abandoned Draft Bar and Grill”

    I like to refer to this little story-thing as Feminist metafiction. I’d be lying if I said I didn’t write it partly in response to a certain Hugo-related kerfluffle, but I’d like to think it appeals to anyone who’s struggled through a clichéd and hackneyed story—either as writer or reader. The story follows Alexandra, an unfortunate victim of lazy characterization (and fridging) as she and fellow novel characters François (AKA African Henchman #1) and Wong the Inscrutable try to force their author to change his stupid plot and finally finish a first draft so they can be free of his inanity. Does it work? You’ll have to read the story to find out.

    It was published in the May 2016 issue of Galaxy’s Edge, where it can still be read for free online thanks to the glory of the Wayback Machine. (And hey, while you’re there, check out Tina Gower’s awesome “This is Home. You are Well.”

Full Bibliography for 2016

So that’s all, folks! Again, feel free to reach out if you’d like a reading copy of any of these. And I hope you enjoy reading them as much as I enjoyed writing them, no matter who you are.

I have a new story out today in Chappy Fiction’s Time Travel Tales

Time manipulation is a delicate, difficult practice. First you’ve got to will (be/have been) get/got/getting the right verb tense (or just give up and go with simple present). And then there’s the matter of simultaneous n-breaks—a tricky tactic to stretch and twist time back on itself, allowing for multiple iterations of the same person to exist in the same room at the same time for an academic conference. Not to mention hangovers.

What am I even talking about? My latest published story, “First and Only Sixteenth Annual One-Woman Symposium on Time Manipulation,” which is out today in Chappy Fiction’s Time Travel Tales anthology.

Will Dr. Mirai and her various iterations make revolutionary breakthroughs as they tinker with time, or will they break the universe and suffer the consequences? If you want to find out, you’ll have to snag the anthology: Time Travel Tales on Amazon, available in Kindle and paperback forms!

The anthology has a lot of other great stories on offer, as well, from the metafictional to the traditional, the academic to the adventurous.

Just take a gander at the names which grace the table of contents:

Brian Trent, Catherine Wells, Sean Williams, Stewart C Baker, Robert Silverberg, HL Fullerton, Auston Habershaw, Brenda Anderson, SL Huang, Tony Pi, Steve Simpson, K Kazul Wolf, Rasheedah Phillips, Martin L Shoemaker, Alter Reiss, David Steffen, John A Frochio, Alisa Alering, Desmond Warzel, and Rosemary Claire Smith.

Original story: “Fallinghome – A Reevaluation” free to read at Big Echo SF

In the year 2168, the Earth was destroyed in a gravitic anomaly. Humankind, which had already begun to spread to other planets and off-world habitats, was greatly reduced in number, and was dealt a devastating psychological blow.

This is the backdrop for my latest story, “Fallinghome: A Re-evaluation,” now live and free to read at Big Echo SF.

Told in the style of an academic essay mixed with documentary footage and primary source material, the story charts the career of Akiko Cheung, famed architect and anomaly survivor, in the decades after the disaster. It’s a story of loss, grief, resignation, and determination in the face of adversity both personal and natural. How do you keep going when everything you cared about is gone?

Here’s a teaser:

Cheung floats unmoving in a cavernous station chamber, her form hidden in a bulky utilitarian spacesuit which is tethered to the ceiling. Her creation lurks behind her, monolithic, monomaniacal, insane.

She does not speak, but closes her eyes as the rear wall of the chamber folds away and Fallinghome is gently pulled free of the station by automated tugs. We see, distantly, the first burst of fusion fire from its directional jets, and the home drops from view.

Cheung floats in front of the camera for several minutes — eyes closed, unmoving, unspeaking — and then the footage abruptly ends.

My Writers of the Future winning story “Images Across a Shattered Sea” is now live at Kasma

Last summer, I submitted what I knew would be my last entry to the Writers of the Future contest: a post-apocalyptic, timey-wimey story called “Images Across a Shattered Sea.”

Of course, I thought at the time it would be my last entry because I was soon to be disqualified for having too many published stories, not because I would win the contest with it.

But I did! Huzzah, and etcetera!

That winning story is now available to read for free from the fine folks at Kasma SF, with some shiny original art to boot. (That makes this the only story I’ve ever had two pieces of art done for, I think.) Double huzzah! Double etcetera!

Go give it a read: “Images Across a Shattered Sea” at Kasma SF.

(And in case you missed it, the story is also available to play as a piece of interactive fiction over at Sub-Q! An audio version is forthcoming. All the huzzahs!)

“The Plumes of Enceladus” now back online for your reading pleasure

My story “The Plumes of Enceladus” was published in Abyss & Apex earlier this month, but there appears to have been some kind of technical mix-up, since trying to read it would net you a 404 page not found error.

That’s been resolved! You can now go read this story—which features a disabled protagonist, a race to Saturn, and a not unreasonable amount of angst and poor decisions—online at http://www.abyssapexzine.com/2016/09/the-plumes-of-enceladus/.

Enjoy!

“Love and Relativity” now available in Spanish at Axxón!

My story from Nature Physics, “Love and Relativity,” has been translated into Spanish by the fine folks at Axxón magazine.

You can read the translation, “Amor y Relatividad,” by author and translator Claudia De Bella, here: http://axxon.com.ar/rev/2016/10/amor-y-relatividad-stewart-c-baker/

Gracias, Claduai y Axxón!

New story, “The Plumes of Enceladus” out now at Abyss & Apex

My short story “The Plumes of Enceladus” is free to read in this month’s Abyss & Apex: http://www.abyssapexzine.com/2016/09/the-plumes-of-enceladus/

The story is about pilots from two rival corporations involved in a race to Enceladus, an icy moon of Saturn, to collect water from its cryovolcanoes.

The pilots are:
Andry, a woman who’s driven by her grandmother’s life as a space pioneer to take her own place in the annals of space exploration. She’s a loner by choice but not necessarily a cold person. She also just happens to be a wheelchair user, although she has prosthetics for most of the story instead.

Frank, who feels lingering guilt from leaving his wife and their infant daughter at home on Earth.

Who wins the race? Only one way to find out. Go check out “The Plumes of Enceladus” in Abyss & Apex!

Like my story which came out in IGMS earlier this year, this one was originally written as an entry for the Baen Memorial contest. I’m pleased to have sold all my submissions to that contest now!

(note: There are a few minor formatting errors in the text of the story at the moment. I’ve contacted the editor to resolve them.)

Reprint: “The Butterfly Disjunct” in Strange Constellations under a CC-BY-NC licence

My far-future story “The Butterfly Disjunct” is now up to read free of charge in Strange Constellations, a web magazine that publishes stories under a Creative Commons licence. a CC-BY-NC licence, in particular.

And what does that mean?

In practical terms, it means that you can do whatever you want with this little story, so long as you:

  1. Credit me as its author
  2. Make it clear that you’ve modified my work (if applicable)
  3. Don’t make money as a result

Want to paste the whole story on your web page? You can!

Want to put it in a free anthology of other CC-BY stories? Knock yourself out.

Want to remix it, or make it part of a bigger work? Cool. Go for it!

Thinking about making a Polish-language post-modern opera about it where the whole story takes place in a Cold War bunker? Sounds neat.

Again, so long as whatever you’re doing is not commercial in nature, there’s no real limit to what you can do. (Although as the author of the story, I can waive this on a case-by-case basis. So just get in touch!)

As a librarian with an interest in the Open Access movement, I’m excited to be able to publish a story under a Creative Commons licence. Especially since this particular story hasn’t appeared in the wild for free before. I hope you enjoy reading it! (Or doing whatever else you plan on doing to it.)

Read “The Butterfly Disjunct” at Strange Constellations.

Two SFnal reprints in QuickFic – “Masks” and “Little More than Shadows”

These two reprints are actually from late June, but I was visiting family at the time and wasn’t paying much attention to things.

So, under the “better late than never” category: I have two reprints in Digital Fiction Publishing’s “QuickFic” imprint which are free to read online on their website.

The first of these, “Little More than Shadows,” is a roughly 800-word 2nd-person slipstreamy story about dreams, monsters, regrets, and Hamlet references in the title. It starts like this:

On the worst days, just the knowledge that you’re dreaming is enough to set you shivering in the cot, neck stiff from the cables.

Eventually, one of your wardens will come, so you wait. They are little more than shadows, these days: features you can’t quite bring into focus; skin tone somewhere between ivory and midnight. You can’t remember any of the names you gave them when you first arrived.

The second story, “Masks,” is closer to 3000 words, and is space opera featuring a colony-ship, spies, sabotage, alien artefacts of unclear provenance, and more. Also a lesbian couple, hooray!

Min can tell by the way the man in the lizard mask drums the fingers of one hand on the surface of his desk that he is angry. She avoids the bright green glimmer of his eyes, wishing she were anywhere but here. Wishing she remembered who she was supposed to be.

“This is all you bring me?” the man asks, his voice raspy with distortion. In his other hand he holds the latest chip Min has stolen, heavy with data on Ship’s communications to the other surviving colony ships and its route away from Earth-long-gone.

New story in IGMS and an (interactive!) reprint in Sub-Q — Also, I’m a Baen Fantasy finalist!

It’s July! And I have a few stories out or otherwise newsworthy.

First, in Intergalactic Medicine Show, my hard SF story about space elevators and the end of the world (and family, and belonging, and loss, and responsibility, and a myriad of other things), “The View from Driftwise Spindle.”

Here’s the opening paragraph:

The plural for meeting, thought Gayatri Anwar, ought to be headache. And even for a surface stint, where meetings always played a heavy role, she’d had a lot of headaches since the Martian Disaster. The announcement that a rogue planetoid had struck their sister planet, and that meteor-sized pieces of ejecta would crash into Earth in five months’ time, had everyone scrambling to get off-planet. Driftwise, as the only spindle with no ties or obligations to a particular nation, seemed to be bearing the brunt of the attention.

You can read most of the first scene (and see the glorious full-colour illustration which won’t make sense until you’ve read the full story) over at Intergalactic Medicine Show, so go check it out! There are also great original stories by Rachael K Jones, Kat Otis, Aimee Pichee, Andrew Neil Gray, and Shane Halbach, along with an essay and reprint from Kameron Hurley. (Note: the full issue is behind a paywall, but an annual subscription is only $15.)


Second, my Writers of the Future winning story “Images Across a Shattered Sea” is now available as a free-to-read piece of interactive fiction at Sub-Q Magazine. Interactive fiction is perhaps not that well-known, so if you’re confused by the word, just picture those old Chose Your Own Adventure books, but on your preferred web browser and without the ability to cheat by reading straight through. Think of it like a text-only video game combined with a short story.

If that sounds like fun, I hope you enjoy the interactive version of “Images Across a Shattered Sea.” There are several new passages in this version of the story, and a few new endings, so even if you’ve read the story before there’ll be some things that are new to you.

I also want to thank Paul Otteni for letting me use his amazing illustration of the story for the cover art of the Sub-Q version of the story. Thanks, Paul!


Last, but certainly not least, my story “Fox-Sign” is a finalist for the Baen Fantasy Adventure Award, hosted by Gen Con. The winners will be announced August 6th.