Two new flash fiction pieces in Remixt Magazine, volume 2

I have two original flash fiction pieces out in two separate issues of the second volume of Remixt, out yesterday!

Remixt, if you’re not familiar with it, is an experiment in publishing spearheaded by Julia Rios. Each release of the magazine pits 5+ editors against the same slush pile, and so there’s the possibility of the same piece being selected by different editors, or of each simultaneously-released issue being completely unique. You can read more about the process in Julia’s editorial here.

I sent two different pieces of flash their way back in March, and was fortunate enough to have each one appeal to one of the volume 2 editors. Huzzah!

Volume 2, Issue 3 features my story “Doge Coefficient,” a vaguely SFnal post-apocalyptic tale where the end came not in the form of zombies or plague but in sudden social collapse caused by Internet-driven language change. It’s also about learning to accept the past, and figuring out how to move forward.

Volume 2, Issue 4 features my story “What She Left Behind,” a slipstreamy kind of fantasy story which is kind of part Ovidian transformation story, part Southern Reach style weird, and part uh… learning-to-accept-the-past-and-figuring-out-how-to-move-forward. Which I guess was kind of a theme for me in these two stories for some reason.

Anyway. Go give ’em a read and check out the other fine stories featured in the various issues of Remixt, volume 2!

April/May updates: An award shortlist, a contest win, and a few new publications

I have been very bad about updating this blog lately. Gah! So, here’s April/May.

April

I had a new piece of flash fiction out in Daily Science Fiction on April 4th titled “Heisenball.” The story explores the many world theorem and takes a look at what we blame ourselves and others for, and what we do when we learn how else things might have turned out. Go give it a read! “Heisenball” by Stewart C Baker

Other exciting April news was the announcement that Futures story “Love and Relativity” was selected as one of seven finalists in my Naturethe 2016-2017 Canopus Award for Excellence in Interstellar Writing, in such luminous company as Alastair Reynolds, Aliette de Bodard, David D. Levine, and Alex Shvartsman. (And that’s just in the short story category. Neal Stephenson? Cixin Liu? AAAAAAAH!)

You can read “Love and Relativity” at Nature Futures, or listen to it in audio form at Audible, courtesy of its being reprinted in Flash Fiction Online.

Also in April, I sold a Little Mermaid retelling to an anthology of fairy tales by Fantasia Divinity. Check it out on Amazon in ebook and paperback.

And the gloriously-titled story I co-wrote with Matt Dovey, “How I Became Coruscating Queen of All the Realms, Pierced the Obsidian Night, Destroyed a Legendary Sword, and Saved My Heart’s True Love,” was released in audio form at Podcastle. If you like absurd, D&D-gone-wrong style misadventures, Listen/read online“>give it a listen! (As a bonus, you can also view the art my wife Jane drew for the story in its original publication in No Shit from Alliteration Ink. Art makes everything better! If you’d like to see her other three illustrations, you’ll have to buy the anthology.)

May

In early May, my original story “The Monsters Your Mother Still Asks About” was published in Great Jones Street. This one is a darkly humorous urban fantasy romance, complete with a ridiculous vampire, an overbearing mother who may or may not be acquainted with brooms, and–just maybe–a chance at love or something like it.

Great Jones Street also published two reprints from me: “Fugue in a Minor Key,” originally from Galaxy’s Edge, and “Images Across a Shattered Sea,” my Writers of the Future winner. “Fugue in a Minor Key” is no longer available online elsewhere, so I’m especially glad to get that one some more eyeballs.

And last, but certainly not least, just a few days ago I learned that my story “At the Edge of a Human Path” took first prize in the annual Friends of the Merril contest. The story is a retelling of a Medieval English tale, “The Wedding of Sir Gawain and Dame Ragnelle,” only set in Yamato Japan. Features fox-women, besotted lords, and devious backstabbery.

Friends of the Merril is a pay-to-enter contest, which I usually avoid, but I make an exception for this one because they use the proceeds to support a library collection of speculative fiction. Yay libraries! (And, obviously, I am very glad that I made that exception, this year!)

Phew. That seems like a lot of stuff. What will June hold? I sold two stories to Remixt, but am not sure when that comes out, and have a few other forthcoming releases, as well.

(Also, if you’re into haiku, you should go read the June issue of The Heron’s Nest. I’m the web editor, and also get to sometimes write the essay for the poem that gets the most editorial votes. This time I was privileged enough to be the one writing about an incredible haiku from Anthony Itopa Obaro of Nigeria.)

Original story: “Fallinghome – A Reevaluation” free to read at Big Echo SF

In the year 2168, the Earth was destroyed in a gravitic anomaly. Humankind, which had already begun to spread to other planets and off-world habitats, was greatly reduced in number, and was dealt a devastating psychological blow.

This is the backdrop for my latest story, “Fallinghome: A Re-evaluation,” now live and free to read at Big Echo SF.

Told in the style of an academic essay mixed with documentary footage and primary source material, the story charts the career of Akiko Cheung, famed architect and anomaly survivor, in the decades after the disaster. It’s a story of loss, grief, resignation, and determination in the face of adversity both personal and natural. How do you keep going when everything you cared about is gone?

Here’s a teaser:

Cheung floats unmoving in a cavernous station chamber, her form hidden in a bulky utilitarian spacesuit which is tethered to the ceiling. Her creation lurks behind her, monolithic, monomaniacal, insane.

She does not speak, but closes her eyes as the rear wall of the chamber folds away and Fallinghome is gently pulled free of the station by automated tugs. We see, distantly, the first burst of fusion fire from its directional jets, and the home drops from view.

Cheung floats in front of the camera for several minutes — eyes closed, unmoving, unspeaking — and then the footage abruptly ends.

My Writers of the Future winning story “Images Across a Shattered Sea” is now live at Kasma

Last summer, I submitted what I knew would be my last entry to the Writers of the Future contest: a post-apocalyptic, timey-wimey story called “Images Across a Shattered Sea.”

Of course, I thought at the time it would be my last entry because I was soon to be disqualified for having too many published stories, not because I would win the contest with it.

But I did! Huzzah, and etcetera!

That winning story is now available to read for free from the fine folks at Kasma SF, with some shiny original art to boot. (That makes this the only story I’ve ever had two pieces of art done for, I think.) Double huzzah! Double etcetera!

Go give it a read: “Images Across a Shattered Sea” at Kasma SF.

(And in case you missed it, the story is also available to play as a piece of interactive fiction over at Sub-Q! An audio version is forthcoming. All the huzzahs!)

“The Plumes of Enceladus” now back online for your reading pleasure

My story “The Plumes of Enceladus” was published in Abyss & Apex earlier this month, but there appears to have been some kind of technical mix-up, since trying to read it would net you a 404 page not found error.

That’s been resolved! You can now go read this story—which features a disabled protagonist, a race to Saturn, and a not unreasonable amount of angst and poor decisions—online at http://www.abyssapexzine.com/2016/09/the-plumes-of-enceladus/.

Enjoy!

New story, “The Plumes of Enceladus” out now at Abyss & Apex

My short story “The Plumes of Enceladus” is free to read in this month’s Abyss & Apex: http://www.abyssapexzine.com/2016/09/the-plumes-of-enceladus/

The story is about pilots from two rival corporations involved in a race to Enceladus, an icy moon of Saturn, to collect water from its cryovolcanoes.

The pilots are:
Andry, a woman who’s driven by her grandmother’s life as a space pioneer to take her own place in the annals of space exploration. She’s a loner by choice but not necessarily a cold person. She also just happens to be a wheelchair user, although she has prosthetics for most of the story instead.

Frank, who feels lingering guilt from leaving his wife and their infant daughter at home on Earth.

Who wins the race? Only one way to find out. Go check out “The Plumes of Enceladus” in Abyss & Apex!

Like my story which came out in IGMS earlier this year, this one was originally written as an entry for the Baen Memorial contest. I’m pleased to have sold all my submissions to that contest now!

(note: There are a few minor formatting errors in the text of the story at the moment. I’ve contacted the editor to resolve them.)

Reprint: “The Butterfly Disjunct” in Strange Constellations under a CC-BY-NC licence

My far-future story “The Butterfly Disjunct” is now up to read free of charge in Strange Constellations, a web magazine that publishes stories under a Creative Commons licence. a CC-BY-NC licence, in particular.

And what does that mean?

In practical terms, it means that you can do whatever you want with this little story, so long as you:

  1. Credit me as its author
  2. Make it clear that you’ve modified my work (if applicable)
  3. Don’t make money as a result

Want to paste the whole story on your web page? You can!

Want to put it in a free anthology of other CC-BY stories? Knock yourself out.

Want to remix it, or make it part of a bigger work? Cool. Go for it!

Thinking about making a Polish-language post-modern opera about it where the whole story takes place in a Cold War bunker? Sounds neat.

Again, so long as whatever you’re doing is not commercial in nature, there’s no real limit to what you can do. (Although as the author of the story, I can waive this on a case-by-case basis. So just get in touch!)

As a librarian with an interest in the Open Access movement, I’m excited to be able to publish a story under a Creative Commons licence. Especially since this particular story hasn’t appeared in the wild for free before. I hope you enjoy reading it! (Or doing whatever else you plan on doing to it.)

Read “The Butterfly Disjunct” at Strange Constellations.

Two SFnal reprints in QuickFic – “Masks” and “Little More than Shadows”

These two reprints are actually from late June, but I was visiting family at the time and wasn’t paying much attention to things.

So, under the “better late than never” category: I have two reprints in Digital Fiction Publishing’s “QuickFic” imprint which are free to read online on their website.

The first of these, “Little More than Shadows,” is a roughly 800-word 2nd-person slipstreamy story about dreams, monsters, regrets, and Hamlet references in the title. It starts like this:

On the worst days, just the knowledge that you’re dreaming is enough to set you shivering in the cot, neck stiff from the cables.

Eventually, one of your wardens will come, so you wait. They are little more than shadows, these days: features you can’t quite bring into focus; skin tone somewhere between ivory and midnight. You can’t remember any of the names you gave them when you first arrived.

The second story, “Masks,” is closer to 3000 words, and is space opera featuring a colony-ship, spies, sabotage, alien artefacts of unclear provenance, and more. Also a lesbian couple, hooray!

Min can tell by the way the man in the lizard mask drums the fingers of one hand on the surface of his desk that he is angry. She avoids the bright green glimmer of his eyes, wishing she were anywhere but here. Wishing she remembered who she was supposed to be.

“This is all you bring me?” the man asks, his voice raspy with distortion. In his other hand he holds the latest chip Min has stolen, heavy with data on Ship’s communications to the other surviving colony ships and its route away from Earth-long-gone.

New story in IGMS and an (interactive!) reprint in Sub-Q — Also, I’m a Baen Fantasy finalist!

It’s July! And I have a few stories out or otherwise newsworthy.

First, in Intergalactic Medicine Show, my hard SF story about space elevators and the end of the world (and family, and belonging, and loss, and responsibility, and a myriad of other things), “The View from Driftwise Spindle.”

Here’s the opening paragraph:

The plural for meeting, thought Gayatri Anwar, ought to be headache. And even for a surface stint, where meetings always played a heavy role, she’d had a lot of headaches since the Martian Disaster. The announcement that a rogue planetoid had struck their sister planet, and that meteor-sized pieces of ejecta would crash into Earth in five months’ time, had everyone scrambling to get off-planet. Driftwise, as the only spindle with no ties or obligations to a particular nation, seemed to be bearing the brunt of the attention.

You can read most of the first scene (and see the glorious full-colour illustration which won’t make sense until you’ve read the full story) over at Intergalactic Medicine Show, so go check it out! There are also great original stories by Rachael K Jones, Kat Otis, Aimee Pichee, Andrew Neil Gray, and Shane Halbach, along with an essay and reprint from Kameron Hurley. (Note: the full issue is behind a paywall, but an annual subscription is only $15.)


Second, my Writers of the Future winning story “Images Across a Shattered Sea” is now available as a free-to-read piece of interactive fiction at Sub-Q Magazine. Interactive fiction is perhaps not that well-known, so if you’re confused by the word, just picture those old Chose Your Own Adventure books, but on your preferred web browser and without the ability to cheat by reading straight through. Think of it like a text-only video game combined with a short story.

If that sounds like fun, I hope you enjoy the interactive version of “Images Across a Shattered Sea.” There are several new passages in this version of the story, and a few new endings, so even if you’ve read the story before there’ll be some things that are new to you.

I also want to thank Paul Otteni for letting me use his amazing illustration of the story for the cover art of the Sub-Q version of the story. Thanks, Paul!


Last, but certainly not least, my story “Fox-Sign” is a finalist for the Baen Fantasy Adventure Award, hosted by Gen Con. The winners will be announced August 6th.

Out now: “The Mother of Sands” at QuickFic

My Gothic Horror story “The Mother of Sands” is now available to read free of charge in Digital Fiction Pub‘s QuickFic series. (Apparently it’s been available since May 17th, but I never received notice.)

The story follows Clara, a woman of little means, and her childhood friend Ilze, the Countess of —, as they travel to Ilze’s home country of Livonia (present-day Latvia). But when they stop at an inn the first night out, Clara sees the figure of a shadowy woman standing over her old friend’s bed. Ilze—pale and shaking after the encounter—calls the woman Smilšu māte, the Mother of Sands, but refuses to say more. Will Clara discover what the Mother of Sands wants?

I guess you’ll have to read the story and find out.

“Mother of Sands” first appeared in an anthology put out by Chuffed Buff Books in late 2014 which I’m not sure ever actually went to print, so even though it’s technically a reprint, this is its first time appearing before a wide audience. Possibly any audience.

The story can be read at http://digitalfictionpub.com/quickfic/the-mother-of-sands-by-stewart-c-baker/

Enjoy!